Thursday 29 August 2013

Far Away Land




Part 1 

How I wish I was a writer and not a filmmaker!

If I were a writer every time there is a desire in me to communicate something all I have to is just  pick up a piece of paper and a pen and  not look for funds to make my film and tug along a whole paraphernalia with me to express what I wanted to communicate! Maybe not even that, all I have to do is to just open the desk top in my computer and start writing. That is precisely what I am doing now to describe my incredible trip to Jhamtse Gatsal Children's Community School in the remote mountains of Tawang District in Arunachal Pradesh in India.


All it took was a simple invitation to visit this community late last year by a family friend who is part of the community. All I was expected to do was to go there for a month and introduce the children there to the medium of cinema. A trip to the far corner of the North East of India on the border of Bhutan, Tibet and China was not an opportunity to be missed even if one had had the good fortune of travelling extensively in India and abroad by the sheer fact of being a filmmaker. All I had to do was to reach Guwahati, the capital of Assam, and the rest was to be taken care of by the organizers.






North East! Right across the width of the country from where I live in Mumbai. So why not take a train and see the country in all its length and breadth, from west to the far end of the east! I booked myself on the solitary train which connects Mumbai to Guwahati, but only thrice a week. I boarded the train one fine morning in early Oct, 2012 knowing full well that it will reach its destination after more than 48 hours! How romantic! Travel across the county on a slow train to nowhere land!

North East turned out to be a far away land. As the train trudged along the states of Maharashtra, Madhya Pradesh, Uttar Pradesh, Jharkhand, Bihar and Bengal and then Assam  my enthusiasm and patriotic feeling diminished as  hours passed in that much neglected train going to what is referred to as   ‘neglected states of the North East of India’. Even though I was supposed to be in an elite class of the train, the train seemed to be a free for all for everyone: hawkers of all cultural hues of the states the train passed through and anybody and everybody on the train no matter which compartment they were in, kept walking up and down the aisles of the train all through the day and most of the night with or without reason. And as the time passed the train accumulated garbage in the same proportion as the number of passengers who kept discarding anything and everything from fruit peels to chocolate wrappers and the toilets became  filthier and filthier as the journey progressed with no respite at any station or any form of cleaning.


One day and one night then another day and another night with some over enthusiastic co-passengers on a pilgrimage oblivious of the unpleasant surroundings challenged my patience as a tolerant citizen of the country every now and then. Yet I held on. With some polite conversations with co-passengers and some nationalistic talk with a reasonably sensible co-passenger who was fortunate enough to reach his destination much before me with a pledge that he would never travel in that train again! I too took that pledge in my mind. I sustained myself for one more night and day. The enthusiastic pilgrims got down somewhere in the middle of night and finally the train reached Guwahati two hours later than it was supposed to—fifty-two hours from Mumbai! Two others passengers and myself were the only ones who had travelled right from Mumbai to Guwahati! Bravo!







A day’s halt in Guwahati was a relief as my host was to pick me up the next day as she had missed her flight from New Delhi! Then began my next assault in my journey to the North East! From Guwahati to Tezpur and from Tezpur to Tawang and from Tawang to Jhamtse Gatsal beyond Lumna with two night stays on the way. It was another chapter of my travel to the North East! The vehicle I was travelling in was moving on virtually non-existent roads devastated by landslides and post monsoon waterfalls overflowing over the road at times and the slush made you shudder as one looked at the depth of the valleys on the side of the roads with no protecting walls. On the one hand I was looking at the sheer beauty of the landscape and on the other hand I was shivering inside hoping the driver won’t take a wrong turn or take a cat nap while driving!



                          



All through the long bone-breaking journey of 20 hours I was wondering at the apathy of governance that had had left the entire stretch of the road in a state of neglect. It is on the frontier of our country on the border of Bhutan, Tibet and China, a very sensitive area full of army deployment and constant movement of the army convoys and what is more, people use this road to go from one place to another. When I compared the border roads of north India to what I was seeing I wondered why the disparity? Was it sheer apathy of the government at the center and the state, or corruption of the highest level or just incompetence of the Border Road Organization which is managing these roads? The answers have to come from somewhere. The fact was that I was traversing these treacherous roads and maybe spending twice the number of hours reaching my destination than it should have normally taken raised some questions in my mind. What would happen if there is some kind of trouble on the border, how fast would our forces move to reach their destination? I was told that on the other side of the border in China there was a four lane road right up to the border where tourists drive up in their posh cars! And I also wondered if any central minister had ever travelled in these conditions from Tezpur to Tawang in the recent history or if the Prime Minister or Defence Minister for that matter is even aware of this state of affairs in the North East which the central Govt  is often accused of neglecting.


                                  


Finally I reached my destination! After two days of travel. I was hoping although I was broken in my body, I was not broken in my spirit.

                                     





                                     



                                   
                  


                                                                                         Photographs and Text

                                                                       Vishnu Mathur. 
©

                                                                       August 29, 2013.

Saturday 24 August 2013

A Thought for the Day.




Rape is the most heinous crime on this planet Earth!


Vishnu Mathur.

August 24, 20013

Tuesday 20 August 2013

'In Search Of Rahat'.


                                                      


                                                        

                                                                   Rahat Yusufi


couple of years ago I finally was able to contact  my fellow film maker Rahat Yusufi after a gap of five years.For five years I had no idea where he was and nobody I knew could tell me about his whereabouts in Bangalore where he lived. He had separated from his family and was on his own. As he was generally perceived as  an eccentric person I feared for the worst when I could not locate him. So there I was talking to him one fine morning, his voice voice coming clearly excited from a village in Ratnagiri Dist. in Maharashtra.He was well and was part of a school in a village called Panhale on the border of Maharashtra and Goa.The school was run by Vasant Gangavane, a well known activist friend we all knew. Rahat had been residing in the school campus for the last five rears and was surviving by making small documentaries for the activists and NGOs of that region.and was taken care of by the school. A great sigh of relief!




During the conversation, he told me that he had the basic equipment to make small films on his own and described the beautiful place he lived in which sounded very nice to me..He invited me to visit him and since I was in a wandering mood I promptly accepted the invitation. He said that I could stay with him in the school guest house where he himself was residing and the food was provided by the school mess.That was perfect. When I gave a serious thought to his invitation I decided that to make my trip more meaningful I must do something there in terms film making since he had the means to make films.So I suggested to Rahat that we make a film there while I was there. He asked me "On what?" and I said almost spontaneously "On ourselves".I told him in a  lighter vein that since nobody was making a film on us why not make a film on ourselves.But I told him that the film need not be in  the mode of self glorification but just a record of our lives in a certain factual manner, what we have done, what we think and our cinema. Suddenly it was making sense: we decided that we can take care of the camera alternately while we shoot each other and construct a film. The prospect of vising this obscure village Panhale was becoming even more exciting..




So there I was one clear night on  a train to Ratnagiri with my personal belongings and a set of digital video tapes and an extra battery for the camera Rahat had asked me to bring with me. I followed his instructions and got down at Ratnagiri station,walked to the main road, took a bus to a town called Lanja on the highway leading to Goa from where Panhale was just four kilometers down the road. After two and a half hours of journey when the bus turned into the bus stop of Lanja I saw Rahat eagerly waiting there at the corner. When we hugged each other I found a much thinner and older looking Rahat but a very happy one to see me. Vasant Gangavane's son Vishu had brought him to the bus stop in their little yellow Nano car to receive me.That was my first ride in a Nano. After we turned left after four kilometers of drive towards Goa after a  hundred meters  the school building appeared  on the right side of the road and then after a short distance on the left the hostel compound and the guest house where Rahat lived..I had arrived for what was going to be one of my most memorable film-making experiences my life!




Once I settled down and got familiar with the environment, we met Vasant Gangavane and his family and saw the village surroundings.The very next day  we were on he road with the camera and accessories. Just two of us: Rahat and myself. The smallest film unit I ever worked with! I had never operated a camera myself before but very quickly I learnt the basics and I took my first shot of Rahat sitting under a  big tree, Rahat's favorite spot. Since the camera had option for only a built-in microphone we did not need a sound recordist; not that we had choice. We just started shooting whatever came our way while wandering along the landscape.Things started flowing easily. Rahat and I began from where we had left last time when we met, whenever it was, alternately taking over the camera while taking to each other.




Two days passed and  I started constructing the film in my mind. I realized that the film was becoming a little ambiguous. It needed more focused  approach.It  was Rahat's space: he lived there and led a certain way life.The film had to be about Rahat Yusufi. I told this to Rahat. Rahat tried to protest but I convinced him that it made more sense than making a very vague description of our lives.That is when the roles got divided. I took over the camera and sat behind it and Rahat became the subject of the  film. Then I began constructing the film in my mind from that point of view as I went along shooting the film. In house he lived, the school to which he was  connected and the open spaces around. I started talking to Rahat and he started recounting his life from his childhood to the present state he was in. So there I was shooting in a beautiful unobtrusive environment: the landscape, the trees and the spiders, the village, its people most of all the beautiful lovely children of the school.I cannot describe how liberating the experience of making this film was for me It was eating, sleeping, breathing and  walking cinema. No producer, no script, no cameraman to explain the shot to, no light boys, no production manager....and no audience in the mind. Just two of us interacting with each other and at times I alone with the camera in the wilderness. On some occasions Rahat would take over the camera from me and talk to me randomly whatever he felt like.But in my mind I kept on constructing the film and took  it to a logical conclusion, all about the life of Rahat Yusufi. At times it all looked so absurd and weird, just two us sitting in an open landscape recording a serious interview about life and cinema while the traffic moved relentlessly  some distance away on the Mumbai Goa highway!




That two weeks of shooting, roaming,eating drinking and talking  was one the  most fulfilling experiences of my life.In  two weeks I shot by way interviews the life of Rahat Yusufi in his own words, the environment he lived in and the beautiful landscapes of Ratnagiri district.For Rahat it was like getting back to civilization  He got reconnected to his friends and got links to others who lived far far way in foreign lands. I left Panhale on a big high. I had gone through an experience of film making which was free of  any anxiety  and I could practice my art without any doubt whatsoever in my mind. It has been quite a while since I shot the film and I have seen  the rushes of the film several times, much admired by my friends and admirers, but for some reason I have not got down to editing  the film as yet. Meanwhile Rahat has  edited a simple version of the film with his own perspective.He  has put up that version of the film on a site for people to have window to his life. It is a concise version of the film but nevertheless it gives an idea of what transpired there in that fortnight in Panhale. It was for me a celebration of my life in cinema.I hope to make another version of the film as soon I get an opportunity to do so and screen it for everyone to see. The film will be titled "In Search Of Rahat".




Meanwhile if you do wish have a look at the edited version by Rahat Yusufi click on <http://www.cultureunplugged.com/storyteller/Rahat_Yusufi#/myFilms> If possible I will  put up some  portions of the 'Rushes' in this blog whenever possible. 





Vishnu Mathur.
August 20, 2013.

Saturday 17 August 2013

Desh Prem Azad.




                                                         

Desh Prem Azad


Dronacharia Desh Prem Azad who died on 16th August in Chandigarh was my senior cricketer at Mahindra College, Patiala in the early nineteen sixties. Mahindra College was known for its sports activities.Our college won most of the intercollegiate tournaments in Punjab at that time.There were Athletes, Hockey players and Cricketers who participated on the national level. Our cricket team was one of the finest teams in Punjab and many of the Ranji Trophy players of the East Punjab team were from our college. Desh Prem Aazad was one of illustrious cricketer at that time and was a protege of Lala Amarnath who was the Chairman Of the Indian cricket Board . Desh Prem Azad was one of the bright prospects for playing in the Indian Cricket team at that time. But he finally did not make it to the Indian team. It was rumored at that time that due to some differences with Lala Amarnath he lost his chance of getting  to the Indian cricket team.

Desh Prem Azad was a fast medium pace bowler and could swing the ball both ways with ease. In fact he was an all rounder. He was a very good batsman and a very agile fielder. Although he had already passed out of the college by the time I got in to the college and the university team he was always present in the nets to play with us along with our cricket coach Baba Ramkrishan. His presence in the nets was a great inspiration for us and we learned a lot from not only his cricketing abilities but also as Kapil Dev has said his understanding of the game. He was one of the Ranji Trophy players from our college along with M.P.Pandov, Harcharan Singh Channi and Ranbir Singh Chauhan and another Dronacharya Gurcharan Singh who were great cricketers in their own right. Apart from the finer points of cricket what we learnt most from Desh Prem Azad was his sense discipline, dedication and love for the game of cricket. He will be missed by all those who were associated with him in the  great game of cricket.


Vishnu Mathur.
August 18, 2013.




Saturday 10 August 2013

A Thought For The Day.



Boredom


"Boredom" is a symptom of an empty mind.

Vishnu Mathur.
August 10, 2013.

Friday 9 August 2013

Cinema One.





        Michelangelo Antonioni



                                          
        Looking at Time

The well known Italian filmmaker Antonioni once said that  for him the process of editing a shot  is just a matter of joining two shots together because he has already arrived at the length of the shot while shooting it. He also said that he waits for the shot to run out  its meaning only then he proceeds to cut to the next shot. Which essentially means that when one is looking at a shot after it is drained out of its meaning one is looking at time, then one gets into the realm of what is unstated by the filmmaker. Which invites the audience to further reflect on a larger  reality. If the viewer is not able to participate in that interactive activity that particular audience gets "bored".That is why it is essential that the audience of a particular film is equipped to receive a certain work of cinema. Most of all I think that a viewer should. always approach a film without any preconceived notion and wait for it to reach you in a certain a manner. The success of a good work of art is when it touches you in that innocent state of reception and leaves you with a sense of enrichment.

Vishnu Mathur.
August 8,2013

Thursday 8 August 2013

A Thought for the Day.


             

Faith  In The Space

            
Faith is what one carries in one's mind to a place of   worship. A place becomes holy because of the collective manifestation of faith the devotees carry there. 
            

Vishnu Mathur.
August 8, 2013.

Saturday 3 August 2013

CityLights.



भीगा हुआ शहर   
   बहती हुई सड़के      
          टिमटिमाती  रात          
       और आती हुई सुबह।   
           




  The  drenched city
 Flowing Pathways
Flickering Lights
              And the distant morning.
    


                                                               

         Painting and Poems :   
      Vishnu Mathur © 
     August 5, 2013.



Thursday 1 August 2013

Crossing The River.

A Zen Story.


Two  Buddhist monks were travelling from one place to another traversing a difficult terrain. On the way they came across a fast flowing river.As they were preparing to cross the river on its bank they saw a young woman waiting. She needed their help to cross the river.One of the monks immediately volunteered. He picked up the young lady on his back and helped her to go across the river.Once on the other side of the river the woman thanked him and went on her way.The second monk did not look happy with the event. After they had walked for a while in silence the second monk asked the first monk, "What was the need to carry that woman?You know that we have taken the vow of celibacy." The first monk kept on walking and then quietly replied after a while." I have left  the woman on the river bank long ago but you are still carrying her with you."


Sketch: Vishnu Mathur  © 


Vishnu Mathur.
August 1.2013.